Traduzione e analisi delle parole tramite l'intelligenza artificiale ChatGPT
In questa pagina puoi ottenere un'analisi dettagliata di una parola o frase, prodotta utilizzando la migliore tecnologia di intelligenza artificiale fino ad oggi:
- come viene usata la parola
- frequenza di utilizzo
- è usato più spesso nel discorso orale o scritto
- opzioni di traduzione delle parole
- esempi di utilizzo (varie frasi con traduzione)
- etimologia
Cosa (chi) è sans réussir à réaliser son but - definizione
![National Trust]] of the United Kingdom, which manages Stourhead, was loosely designed by Paul Barnes based on the inscription.}}](https://commons.wikimedia.org/wiki/Special:FilePath/Grotto motto, Stourhead park (9313913818).jpg?width=200 "National Trust]] of the United Kingdom, which manages Stourhead, was loosely designed by Paul Barnes based on the inscription.}}")
![access-date=17 August 2015}}</ref> [[Seravek]], a modern humanist typeface, has a more organic italic which is less folded-up.](https://commons.wikimedia.org/wiki/Special:FilePath/Sans-serif italics.png?width=200 "access-date=17 August 2015}}</ref> [[Seravek]], a modern humanist typeface, has a more organic italic which is less folded-up.")
.jpg?width=200 "Dublin 1848, caps-only heading with crossed V-form 'W'")
 Act 1916.jpg?width=200 "Italic, Dublin, 1916")
 Plakat 4. Kriegsanleihe 1916.jpg?width=200 "Nearly monoline and stroke-modulated sans; Austrian war bond poster, 1916")
![descenders]], allowing tight linespacing. Switzerland, 1928.](https://commons.wikimedia.org/wiki/Special:FilePath/Votation Kursaals 1928.jpg?width=200 "descenders]], allowing tight linespacing. Switzerland, 1928.")
.jpg?width=200 "Lightly modulated sans-serif lettering on a 1930s poster, pointed stroke endings suggesting a brush")
![A 1940s American poster. The curve of the 'r' is a common feature in grotesque typefaces, but the 'single-storey' 'a' is a classic feature of geometric typefaces from the 1920s onwards.](https://commons.wikimedia.org/wiki/Special:FilePath/"Cancer Danger Signals" - NARA - 514028.jpg?width=200 "A 1940s American poster. The curve of the 'r' is a common feature in grotesque typefaces, but the 'single-storey' 'a' is a classic feature of geometric typefaces from the 1920s onwards.")
![1952 Jersey holiday events brochure, using the popular [[Gill Sans]]-led British style of the period](https://commons.wikimedia.org/wiki/Special:FilePath/1952 Jersey holiday events brochure.jpg?width=200 "1952 Jersey holiday events brochure, using the popular [[Gill Sans]]-led British style of the period")
![transfers]].](https://commons.wikimedia.org/wiki/Special:FilePath/Initiative armement 1972.jpg?width=200 "transfers]].")
![Governmental poster using [[Univers]], 1980](https://commons.wikimedia.org/wiki/Special:FilePath/Veterans Day Poster 1980.jpg?width=200 "Governmental poster using [[Univers]], 1980")
![Distorted sans-serif in the "[[grunge typography]]" style, Ankara, 2002](https://commons.wikimedia.org/wiki/Special:FilePath/14. AUFF.jpg?width=200 "Distorted sans-serif in the \"[[grunge typography]]\" style, Ankara, 2002")
![Alan Kitching]], 2015](https://commons.wikimedia.org/wiki/Special:FilePath/Alan Kitching on Press at The Guardian.jpg?width=200 "Alan Kitching]], 2015")
Wikipedia
But I'm a Cheerleader is a 1999 American satirical teen romantic comedy film directed by Jamie Babbit in her feature directorial debut and written by Brian Wayne Peterson. Natasha Lyonne stars as Megan Bloomfield, a high school cheerleader whose parents send her to a residential in-patient conversion therapy camp to "cure" her lesbianism. At camp, Megan realizes that she is indeed a lesbian and, despite the therapy, comes to embrace her sexuality. The supporting cast includes Clea DuVall, Melanie Lynskey, RuPaul, and Cathy Moriarty.
Babbit was inspired by an article about conversion therapy and her childhood familiarity with rehabilitation programs. She used the story of a young woman finding her sexual identity to explore the social construction of gender roles and heteronormativity. The costume and set design of the film highlighted these themes using artificial textures in intense blues and pinks.
When it was initially rated as NC-17 by the MPAA, Babbit made cuts to allow it to be re-rated as R. When interviewed in the documentary film This Film Is Not Yet Rated Babbit criticized the MPAA for discriminating against films with homosexual content. The film was not well received by critics who compared it unfavorably to the films of John Waters and criticized the colorful production design. The lead actors were praised for their performances but some of the characters were described as stereotypical.
